Usego • Ambient Church • Creel Pone @ Montez

Precisely 19 years in the making, I’m overjoyed to finally launch a collaborative release with one of my heroes in Music & Sound/Art, Voice Crack member Norbert Möslang, centered around a 2005 improvised duo concert in Switzerland.

After submitting a pair of Hrvatski “Tributes” (precisely 5 seconds of breakcore followed by an overdubbed synth, guitar, & sampler improvisation, then a “Cracked” synthesizer miniature; see below) to the Voice Crack Remixes set on Ambush (both of these are in the “Remixplosion” package) a prescient Swiss promoter had the idea to book Norbert & I at the now-defunct Usego bar in Möslang’s hometown of St. Gallen. After a hilarious mix-up (I was dropped off at Andy Guhl’s office by mistake) I arrived at the venue & met Norbert for the first time, and while casually chatting & soundchecking we decided to play an “Encore” set together, almost as an afterthought. The melding of Analogue & Digital timbres worked beautifully, and luckily we had the forethought to record everything.

As soon as I returned to Boston following the trip, I had the idea to work on a release of the material (I had wound down Reckankreuzungsklankewerkzeuge, but was making tiny, private editions on a new label, entschuldigen) and collectively we decided to work on “Versions” of the improvised set in a more “Offline” manner. Norbert turned in a gorgeous trilogy of reworkings incorporating the litany of tabletop electronic apparatus through which he ran the original concert audio, and I spectrally separated the same through a network of 10 “Spectral Gates” which were then treated separately, then time-aligned & mixed back into a stereo image.

These 7 pieces make up the “Usego” package & are available to purchase and/or stream via the usual suspects:

In other news, I’ve scheduled a long-overdue appearance at the newly revamped Ambient Church series, which is happening a few blocks away at the Church of St. Luke & St. Matthew here in Clinton Hill, Brooklyn on April 19th. I’ll be revisiting the “Playthroughs” computer-music frameworks for the first time since the piece/record’s 20th Anniversary concert at e-flux. Discounted “Early Bird” tickets are available now, with opening acts TBC shortly. Very excited for this home-neighborhood reappraisal!

Finally, after a year-long beauty res(e)t, the Creel Pone Show will return to the datawaves on March 26th from 7PM-9PM for a 7th installment. Tune in via the Montez Press Radio site to hear Jacob Gorchov & I muse around recent developments in the endless global scouring for hitherto unheralded Early Electronic & Experimental Music of note.

Montez had a great exposé in the New York Times last week; Creel Pone has been on a tear for the past few months & is about to crest the 300th “Dot” (this in addition to the several sub-series; total count is closer to 350 at this stage) in advance of the series’ 19th Anniversary in May. I highly recommend subscribing to the Alpha State NYC newsletter (signup is at the bottom of the page) to be kept abreast of developments there.

Keith Fullerton Whitman

Keith Fullerton Whitman is a composer & performer based in Brooklyn, USA.

http://www.keithfullertonwhitman.com
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