For most things, please email me: k@keithfullertonwhitman.com.

I’m fairly active on BlueSky & Instagram these days & use Bandcamp, Discogs, eBay, Reverb, & Shopify daily for the Business… but while I have profiles set up on most other apps (Discord, Facebook, Flickr, GitHub, LinkedIn, Reddit, Soundcloud, Threads, TikTok, X, Vimeo, WhatsApp, YouTube™, etc.) it gets increasingly unlikely that I’ll see critical messages within a reasonable-enough time frame to act on them the further afield we get (push notifications have long been disabled; it’s a nice way to live, trust me).

I haven’t been working with an agent (either for bookings or licensing/sync) since the early days of the Pandemic, so if you want to talk about a potential performance or engagement/commission/contract (either Domestically or Abroad) getting in touch directly is certainly in our best interests. Similarly, other than within the historical record of releases, I’m not currently “Signed” to a label; I’d love to have a chat if you’re interested in making something together.

Oh, and while I don’t have any ongoing “Endorsements” per se, I feel compelled to shout out the companies that have sent over gear & software to beta-test, demo, and/or use with no strings attached: 4ms Company, Ableton, ADDAC System, ALM Busy Circuits, Cycling ’74, Erica Synths, Eventide Audio, Flower Electronics, Gammalite Systems, GRM Tools, Intellijel, Landscape, Make Noise, Mark Of The Unicorn, Moog Music, Newfangled Audio, Output, Rebel Technology, Retrokits, Sinevibes, Spitfire Audio, Synthesis Technology (R.I.P. Paul), WORNG Electronics, & Zlob Modular.