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Keith Fullerton Whitman
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Keith Fullerton Whitman
Keith Fullerton Whitman
Intro
Editions
People
w/ Pierce Warnecke
w/ Mark Fell
w/ Geoff Mullen
w/ Greg Davis
Projects
Malört
Resonators
Sts.
Acid Causality
Private, Public
Redactions
Epithets
Trilogie d'Erreur
Dream Cargoes
Jardin Electronique
Nadra Phalanx
Hugh Tracey Mix
Occlusions
Late Monoliths
Rythmes Naturels
Generators
Disingenuity
Secret Histories
Multiples
Creel Pone
Nasturtium
Schöner Flußengel
Antithesis
Greatest Hits
Playthroughs
Remixes
Hrvatski
Photos
Videos
Intro
Editions
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w/ Pierce Warnecke
w/ Mark Fell
w/ Geoff Mullen
w/ Greg Davis
Folder: Projects
Back
Malört
Resonators
Sts.
Acid Causality
Private, Public
Redactions
Epithets
Trilogie d'Erreur
Dream Cargoes
Jardin Electronique
Nadra Phalanx
Hugh Tracey Mix
Occlusions
Late Monoliths
Rythmes Naturels
Generators
Disingenuity
Secret Histories
Multiples
Creel Pone
Nasturtium
Schöner Flußengel
Antithesis
Greatest Hits
Playthroughs
Remixes
Hrvatski
Photos
Videos
Editions Private, Performance, Public, Rehearsal (C-40 & C-50) [2020]
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Private, Performance, Public, Rehearsal (C-40 & C-50) [2020]

$15.00

Fifth in this series of short-run "Hi-Res Audio" releases is this double-cassette edition of the entirety of "Private Performance, Public Rehearsal" as produced in mid-June, 2020. This comes as a "NRS- Type I Normal Bias C-40 Blue Solid - Tabs Out (No Screws)" tape & a "NRS- Type I Normal Bias C-50 Blue Solid - Tabs Out (No Screws)" pair (respectively), each with full-color printed labels, each inside a "BLUE NORELCO CASSETTE BOX" alongside double-sided full-color printed J-Cards with gold-foil-stamped "Hi-Res AUDIO Stickers" affixed to the outside of each Norelco, all housed inside a pair of "JAPAN RESEALABLE PLASTIC BAG for CASSETTE TAPE Top Open w/Flap" sleeves, with the kanji-imprinted strips left intact; cello-taped shut.

These were dubbed (hot) to tape from the original masters in batches of 4 via a Recordex Soundmaster IV here in the studio in Brooklyn, NY; I have gone to great lengths to preserve both the original concert-dynamic & the private-session solace via a pair of tapes which are discretely selected in matched pairs from a sum-source of 4 separate image-sets/ideologies. No two copies of the finished set are the same (labels, J-cards, etc. are chosen from a pair of 4 design-ways & mathematically speaking are somewhat discrete on an individualized ownership-scale; at the very least there are 16 separate key-combinations to receive, at random, and no there is no cheating). Comes with a voucher which you can use to claim the appropriate "Digital Assets" over at Bandcamp.

Intended as a double-cassette release from the start, this suite of music; conceived, actualized, spatialized, & recorded in Quad over a Funktion-One array in a room in Athens' Exarchia district over a 3-day period, is an attempt to blur the hard, systemic lines between focused & unfocused listening.

Presenting two programs; one realized purely for the sake of the "public" in-situ spectacle, the other an entirely revisionist affair based on the "private" experience of having played & recorded a separate, unheard set of music for an empty room later to be assessed & finalized, the master narrative arc folds from solace to chaos, fully embracing the bipolar nature of musical & artistic practice as a means of expression.

All of the music heard here shares the same genetic makeup: "Generative" 4-voice ASR oscillator canons & "Redacted" source materials gathered in & around the environment in question, including contributions by Chris Chondropoulos & elements gathered during one of Christina Kubisch's Electrical Walks, utilizing her proprietary receiver headphones.

Prior to the audience's gathering for the "public" event, the same configuration was performed to an empty room for approximately one hour; the first segment of the second tape captures the moments right before & after the doors to the venue were unlocked, the final segment the transition back to "private".

Recorded at Romantso, Athens, Greece, May 23rd, 24th, and 25th, 2017 as part of documenta 14. Mixed and Mastered at GRM, Paris, France on November 14th, 2017. Thanks to Paolo Thorsten-Nagel, Dmitri Papadatos, Bill Kouligas, Christos Chondropoulos, Stratos Bichakis, Constant Dice, Nektarios Papadimitriou, Yorgos Yeorgiou, Christina Kubisch, Alan Bishop, & François Bonnet. 

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Fifth in this series of short-run "Hi-Res Audio" releases is this double-cassette edition of the entirety of "Private Performance, Public Rehearsal" as produced in mid-June, 2020. This comes as a "NRS- Type I Normal Bias C-40 Blue Solid - Tabs Out (No Screws)" tape & a "NRS- Type I Normal Bias C-50 Blue Solid - Tabs Out (No Screws)" pair (respectively), each with full-color printed labels, each inside a "BLUE NORELCO CASSETTE BOX" alongside double-sided full-color printed J-Cards with gold-foil-stamped "Hi-Res AUDIO Stickers" affixed to the outside of each Norelco, all housed inside a pair of "JAPAN RESEALABLE PLASTIC BAG for CASSETTE TAPE Top Open w/Flap" sleeves, with the kanji-imprinted strips left intact; cello-taped shut.

These were dubbed (hot) to tape from the original masters in batches of 4 via a Recordex Soundmaster IV here in the studio in Brooklyn, NY; I have gone to great lengths to preserve both the original concert-dynamic & the private-session solace via a pair of tapes which are discretely selected in matched pairs from a sum-source of 4 separate image-sets/ideologies. No two copies of the finished set are the same (labels, J-cards, etc. are chosen from a pair of 4 design-ways & mathematically speaking are somewhat discrete on an individualized ownership-scale; at the very least there are 16 separate key-combinations to receive, at random, and no there is no cheating). Comes with a voucher which you can use to claim the appropriate "Digital Assets" over at Bandcamp.

Intended as a double-cassette release from the start, this suite of music; conceived, actualized, spatialized, & recorded in Quad over a Funktion-One array in a room in Athens' Exarchia district over a 3-day period, is an attempt to blur the hard, systemic lines between focused & unfocused listening.

Presenting two programs; one realized purely for the sake of the "public" in-situ spectacle, the other an entirely revisionist affair based on the "private" experience of having played & recorded a separate, unheard set of music for an empty room later to be assessed & finalized, the master narrative arc folds from solace to chaos, fully embracing the bipolar nature of musical & artistic practice as a means of expression.

All of the music heard here shares the same genetic makeup: "Generative" 4-voice ASR oscillator canons & "Redacted" source materials gathered in & around the environment in question, including contributions by Chris Chondropoulos & elements gathered during one of Christina Kubisch's Electrical Walks, utilizing her proprietary receiver headphones.

Prior to the audience's gathering for the "public" event, the same configuration was performed to an empty room for approximately one hour; the first segment of the second tape captures the moments right before & after the doors to the venue were unlocked, the final segment the transition back to "private".

Recorded at Romantso, Athens, Greece, May 23rd, 24th, and 25th, 2017 as part of documenta 14. Mixed and Mastered at GRM, Paris, France on November 14th, 2017. Thanks to Paolo Thorsten-Nagel, Dmitri Papadatos, Bill Kouligas, Christos Chondropoulos, Stratos Bichakis, Constant Dice, Nektarios Papadimitriou, Yorgos Yeorgiou, Christina Kubisch, Alan Bishop, & François Bonnet. 

Fifth in this series of short-run "Hi-Res Audio" releases is this double-cassette edition of the entirety of "Private Performance, Public Rehearsal" as produced in mid-June, 2020. This comes as a "NRS- Type I Normal Bias C-40 Blue Solid - Tabs Out (No Screws)" tape & a "NRS- Type I Normal Bias C-50 Blue Solid - Tabs Out (No Screws)" pair (respectively), each with full-color printed labels, each inside a "BLUE NORELCO CASSETTE BOX" alongside double-sided full-color printed J-Cards with gold-foil-stamped "Hi-Res AUDIO Stickers" affixed to the outside of each Norelco, all housed inside a pair of "JAPAN RESEALABLE PLASTIC BAG for CASSETTE TAPE Top Open w/Flap" sleeves, with the kanji-imprinted strips left intact; cello-taped shut.

These were dubbed (hot) to tape from the original masters in batches of 4 via a Recordex Soundmaster IV here in the studio in Brooklyn, NY; I have gone to great lengths to preserve both the original concert-dynamic & the private-session solace via a pair of tapes which are discretely selected in matched pairs from a sum-source of 4 separate image-sets/ideologies. No two copies of the finished set are the same (labels, J-cards, etc. are chosen from a pair of 4 design-ways & mathematically speaking are somewhat discrete on an individualized ownership-scale; at the very least there are 16 separate key-combinations to receive, at random, and no there is no cheating). Comes with a voucher which you can use to claim the appropriate "Digital Assets" over at Bandcamp.

Intended as a double-cassette release from the start, this suite of music; conceived, actualized, spatialized, & recorded in Quad over a Funktion-One array in a room in Athens' Exarchia district over a 3-day period, is an attempt to blur the hard, systemic lines between focused & unfocused listening.

Presenting two programs; one realized purely for the sake of the "public" in-situ spectacle, the other an entirely revisionist affair based on the "private" experience of having played & recorded a separate, unheard set of music for an empty room later to be assessed & finalized, the master narrative arc folds from solace to chaos, fully embracing the bipolar nature of musical & artistic practice as a means of expression.

All of the music heard here shares the same genetic makeup: "Generative" 4-voice ASR oscillator canons & "Redacted" source materials gathered in & around the environment in question, including contributions by Chris Chondropoulos & elements gathered during one of Christina Kubisch's Electrical Walks, utilizing her proprietary receiver headphones.

Prior to the audience's gathering for the "public" event, the same configuration was performed to an empty room for approximately one hour; the first segment of the second tape captures the moments right before & after the doors to the venue were unlocked, the final segment the transition back to "private".

Recorded at Romantso, Athens, Greece, May 23rd, 24th, and 25th, 2017 as part of documenta 14. Mixed and Mastered at GRM, Paris, France on November 14th, 2017. Thanks to Paolo Thorsten-Nagel, Dmitri Papadatos, Bill Kouligas, Christos Chondropoulos, Stratos Bichakis, Constant Dice, Nektarios Papadimitriou, Yorgos Yeorgiou, Christina Kubisch, Alan Bishop, & François Bonnet. 

Thank you! I tend to respond to emails first thing in the morning (6AM EST) when I’m at home in Brooklyn, but if for some reason you don’t get a response within a day or two & your concern is still pressing, please get in touch via alternate means (there are links to your right/below) -Keith

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