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Keith Fullerton Whitman
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Keith Fullerton Whitman
Keith Fullerton Whitman
Intro
Editions
People
w/ Pierce Warnecke
w/ Mark Fell
w/ Geoff Mullen
w/ Greg Davis
Projects
Malört
Resonators
Sts.
Acid Causality
Private, Public
Redactions
Epithets
Trilogie d'Erreur
Dream Cargoes
Jardin Electronique
Nadra Phalanx
Hugh Tracey Mix
Occlusions
Late Monoliths
Rythmes Naturels
Generators
Disingenuity
Secret Histories
Multiples
Creel Pone
Nasturtium
Schöner Flußengel
Antithesis
Greatest Hits
Playthroughs
Remixes
Hrvatski
Photos
Videos
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Editions
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w/ Mark Fell
w/ Geoff Mullen
w/ Greg Davis
Folder: Projects
Back
Malört
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Acid Causality
Private, Public
Redactions
Epithets
Trilogie d'Erreur
Dream Cargoes
Jardin Electronique
Nadra Phalanx
Hugh Tracey Mix
Occlusions
Late Monoliths
Rythmes Naturels
Generators
Disingenuity
Secret Histories
Multiples
Creel Pone
Nasturtium
Schöner Flußengel
Antithesis
Greatest Hits
Playthroughs
Remixes
Hrvatski
Photos
Videos
Editions Naeba Playthroughs b/w Nantes Playthroughs (C-96) [2022]
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Naeba Playthroughs b/w Nantes Playthroughs (C-96) [2022]

$13.00

January 2022; After a yearlong gap here is the eleventh "Hi-Res AUDIO" title covering a pair of in-situ stagings of the "Playthroughs" framework given a month or so apart under wildly different circumstances.

Meticulously copied to special "Duplicator Safe" smoky-shell C-96 tapes (with gorgeous "Metallic" labels showing isolated details captured across both environments; no two copies have the same pair of images either on the labels or the inserts!) inside a reversible "Twin-Cover" J-Card array (ala the "Amposta/Lleida Generators" set) this presents both performances in their intended configurations. Comes complete with a voucher/download "Business" card which you can use to grab the appropriate companion digital release ("Late Playthroughs") on Bandcamp; enjoy!

As we approach the 20-year anniversary of the breaking of ground on the "Playthroughs" systems, I have begun performing the piece again on request, first at the Kranky 15th Anniversary party in Chicago, then at l'Auditori in Barcelona, finally picking up again for a trio of performances in late 2018, two of which are presented here in their unexpurgated states, exactly as they were performed & intended, with the "live to semiconductor" signals mixed with their in-situ environmental ambiances.

The settings of these two improvised performances; specifically, an outdoor floodplain in rural Western Japan flanked by mountains in all directions, then the Modern Art wing of a European Museum, couldn't have been any different, and so these two stagings, specifically, run at opposite sides of the possibility-sets of the piece: wild, risk-enabled, chaotic (Naeba) then placid, calm, measured (Nantes).

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January 2022; After a yearlong gap here is the eleventh "Hi-Res AUDIO" title covering a pair of in-situ stagings of the "Playthroughs" framework given a month or so apart under wildly different circumstances.

Meticulously copied to special "Duplicator Safe" smoky-shell C-96 tapes (with gorgeous "Metallic" labels showing isolated details captured across both environments; no two copies have the same pair of images either on the labels or the inserts!) inside a reversible "Twin-Cover" J-Card array (ala the "Amposta/Lleida Generators" set) this presents both performances in their intended configurations. Comes complete with a voucher/download "Business" card which you can use to grab the appropriate companion digital release ("Late Playthroughs") on Bandcamp; enjoy!

As we approach the 20-year anniversary of the breaking of ground on the "Playthroughs" systems, I have begun performing the piece again on request, first at the Kranky 15th Anniversary party in Chicago, then at l'Auditori in Barcelona, finally picking up again for a trio of performances in late 2018, two of which are presented here in their unexpurgated states, exactly as they were performed & intended, with the "live to semiconductor" signals mixed with their in-situ environmental ambiances.

The settings of these two improvised performances; specifically, an outdoor floodplain in rural Western Japan flanked by mountains in all directions, then the Modern Art wing of a European Museum, couldn't have been any different, and so these two stagings, specifically, run at opposite sides of the possibility-sets of the piece: wild, risk-enabled, chaotic (Naeba) then placid, calm, measured (Nantes).

January 2022; After a yearlong gap here is the eleventh "Hi-Res AUDIO" title covering a pair of in-situ stagings of the "Playthroughs" framework given a month or so apart under wildly different circumstances.

Meticulously copied to special "Duplicator Safe" smoky-shell C-96 tapes (with gorgeous "Metallic" labels showing isolated details captured across both environments; no two copies have the same pair of images either on the labels or the inserts!) inside a reversible "Twin-Cover" J-Card array (ala the "Amposta/Lleida Generators" set) this presents both performances in their intended configurations. Comes complete with a voucher/download "Business" card which you can use to grab the appropriate companion digital release ("Late Playthroughs") on Bandcamp; enjoy!

As we approach the 20-year anniversary of the breaking of ground on the "Playthroughs" systems, I have begun performing the piece again on request, first at the Kranky 15th Anniversary party in Chicago, then at l'Auditori in Barcelona, finally picking up again for a trio of performances in late 2018, two of which are presented here in their unexpurgated states, exactly as they were performed & intended, with the "live to semiconductor" signals mixed with their in-situ environmental ambiances.

The settings of these two improvised performances; specifically, an outdoor floodplain in rural Western Japan flanked by mountains in all directions, then the Modern Art wing of a European Museum, couldn't have been any different, and so these two stagings, specifically, run at opposite sides of the possibility-sets of the piece: wild, risk-enabled, chaotic (Naeba) then placid, calm, measured (Nantes).

Thank you! I tend to respond to emails first thing in the morning (6AM EST) when I’m at home in Brooklyn, but if for some reason you don’t get a response within a day or two & your concern is still pressing, please get in touch via alternate means (there are links to your right/below) -Keith

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