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Keith Fullerton Whitman
Keith Fullerton Whitman
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Keith Fullerton Whitman
Keith Fullerton Whitman
Intro
Editions
People
w/ Pierce Warnecke
w/ Mark Fell
w/ Geoff Mullen
w/ Greg Davis
Projects
Malört
Resonators
Sts.
Acid Causality
Private, Public
Redactions
Epithets
Trilogie d'Erreur
Dream Cargoes
Jardin Electronique
Nadra Phalanx
Hugh Tracey Mix
Occlusions
Late Monoliths
Rythmes Naturels
Generators
Disingenuity
Secret Histories
Multiples
Creel Pone
Nasturtium
Schöner Flußengel
Antithesis
Greatest Hits
Playthroughs
Remixes
Hrvatski
Photos
Videos
Intro
Editions
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w/ Pierce Warnecke
w/ Mark Fell
w/ Geoff Mullen
w/ Greg Davis
Folder: Projects
Back
Malört
Resonators
Sts.
Acid Causality
Private, Public
Redactions
Epithets
Trilogie d'Erreur
Dream Cargoes
Jardin Electronique
Nadra Phalanx
Hugh Tracey Mix
Occlusions
Late Monoliths
Rythmes Naturels
Generators
Disingenuity
Secret Histories
Multiples
Creel Pone
Nasturtium
Schöner Flußengel
Antithesis
Greatest Hits
Playthroughs
Remixes
Hrvatski
Photos
Videos
Editions Nadra Phalanx (2x C-66) [2020]
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Nadra Phalanx (2x C-66) [2020]

$15.00

Proper release of this 2012 suite of "Automatic" Electronic Music, remastered from the original 24/96 session data; the ninth title in the “Hi-Res AUDIO” series. The first six pieces, originally aired as part of the MACBA's online RWM series "Composing With Process", curated by Mark Fell & Joe Gilmore, have here been augmented with four out-takes from the same session, as well as a live take performed with the same configuration, recorded on June 14th, 2012, at the Whitehaus in Jamaica Plain, MA.

Nadra Phalanx’ consists of a series of automatic pieces for Hybrid Digital-Analogue Modular Synthesiser. These un-monitored and unedited pieces were recorded on June 9th and 10th, 2012. According to Whitman, the tracks ‘all hinge around the same set of generative patches, where white noise is sampled then used to derive a series of 12 bucket brigade voltages that are attenuated, then multiplied and applied to all manner of automations within the patches’. Whitman goes on to explain that ‘all changes are programmed into the patches, even formal changes are due to extremely long duty cycles.

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Proper release of this 2012 suite of "Automatic" Electronic Music, remastered from the original 24/96 session data; the ninth title in the “Hi-Res AUDIO” series. The first six pieces, originally aired as part of the MACBA's online RWM series "Composing With Process", curated by Mark Fell & Joe Gilmore, have here been augmented with four out-takes from the same session, as well as a live take performed with the same configuration, recorded on June 14th, 2012, at the Whitehaus in Jamaica Plain, MA.

Nadra Phalanx’ consists of a series of automatic pieces for Hybrid Digital-Analogue Modular Synthesiser. These un-monitored and unedited pieces were recorded on June 9th and 10th, 2012. According to Whitman, the tracks ‘all hinge around the same set of generative patches, where white noise is sampled then used to derive a series of 12 bucket brigade voltages that are attenuated, then multiplied and applied to all manner of automations within the patches’. Whitman goes on to explain that ‘all changes are programmed into the patches, even formal changes are due to extremely long duty cycles.

Proper release of this 2012 suite of "Automatic" Electronic Music, remastered from the original 24/96 session data; the ninth title in the “Hi-Res AUDIO” series. The first six pieces, originally aired as part of the MACBA's online RWM series "Composing With Process", curated by Mark Fell & Joe Gilmore, have here been augmented with four out-takes from the same session, as well as a live take performed with the same configuration, recorded on June 14th, 2012, at the Whitehaus in Jamaica Plain, MA.

Nadra Phalanx’ consists of a series of automatic pieces for Hybrid Digital-Analogue Modular Synthesiser. These un-monitored and unedited pieces were recorded on June 9th and 10th, 2012. According to Whitman, the tracks ‘all hinge around the same set of generative patches, where white noise is sampled then used to derive a series of 12 bucket brigade voltages that are attenuated, then multiplied and applied to all manner of automations within the patches’. Whitman goes on to explain that ‘all changes are programmed into the patches, even formal changes are due to extremely long duty cycles.

Thank you! I tend to respond to emails first thing in the morning (6AM EST) when I’m at home in Brooklyn, but if for some reason you don’t get a response within a day or two & your concern is still pressing, please get in touch via alternate means (there are links to your right/below) -Keith

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