About.

Thanks for visiting the 2026 iteration of the site; trying to make this less of a mausoleum for every stray thing I’ve done over the years, focusing instead on activities going forward. If you need a bio for something, please use:

Keith Fullerton Whitman is a composer & performer of “Live” Electronic Music based in Fort Greene, Brooklyn; his work is governed by the outcome of experiments with Generative & Algorithmic frameworks in both the Analog & Digital Domains, openly embracing a somewhat agnostic approach to genre.

Through this, he has been invited to perform in excess of 1,000 times for many of the world’s most prestigious festivals (such as CTM, Documenta 14, Elevate, FAQ, Geometry of Now, Immersion, The Labyrinth, MaerzMusik, Meakusma, Présences Electroniques, Semibreve, Send + Receive, Sonic Acts, Terraforma, Unsound) & houses of culture (including L’Auditori, Berghain, Boston City Hall, Fylkingen, The Guggenheim, Kurimanzutto, Maison de la Radio et de la Musique, MoMA PS1, Paradiso, REDCAT, Sydney Opera House, & Völksbuhne) while maintaining a foothold in the ad hoc experimental & improvised music communities in NYC (via appearances at Abasement, Cassette, e-flux, Lava Club, Light & Sound Design, Pianos, Pioneer Works, Public Records, Roulette, Sleepwalk, Sunview Acropolis, Union Pool, & countless others).

An extensive discography includes albums for kranky, Planet-µ, Nakid, Editions Mego, PAN, & Carpark (which have been met with accolades from The New Yorker, NPR, Pitchfork, The Wire, etc.) He is the recipient of a 2020 grant from the Foundation for Contemporary Arts & is currently a resident on The Lot while also co-hosting a sporadic program for Montez Press. For the past 15 years he has been in frequent dialogue with the Groupe De Recherches Musicales (GRM) in Paris, through whom several commissions for multichannel tape works have been composed for & diffused on the Acousmonium, fulfilling a childhood dream.